At C2E2 2019 — long before the steaming shitpile called 2020 — I first spied the work of Matthew Allison in artist’s alley. Allison’s pastel colors, inventive character designs, faceless humans, and 80s-inspired grotesqueries stand out on any shelf or at any convention, but next to so many same-old, same-old corporate comics, Cankor was an…